How zoozoo ads were made
If you are an Indian with access to television or internet or have seen any IPL match then I do not need to tell you what the heck is Zoo Zoo. The ad campaign that has suddenly taken over the any god damn media and has become the talk over lunch, coffee, tea, date, time pass talk and even office conversations! So what is this zoozoo and how is it made, are they actual people, dummies, animations or what? If you ask me, that particular query itself has a lot of hand in the advertisement’s success as television commercial and internet viral.
First of all what is this ZooZoo? zoozoo is the new brand endorsor for Vodafone India. In 2008, Vodafone had unveiled the ‘Happy to Help’ series during the first season of the Indian Premier League (IPL). With the launch of the second season, Vodafone has given birth to the Zoozoo: a special character created specifically to convey a value added service (VAS) offering in each of the newly released commercials.
What’s interesting is that there are some 25-29 such commercials planned under this campaign, some of which are already on air. The aim is to release approximately one ad a day, to sustain interest till the end of the IPL.
Success of this campaign has been humongous! It’s fan club at Facebook already has 188,822 fans base!!
What need does zoozoo like campaign caters to, apart from publicity of the brand? Explains Harit Nagpal, chief marketing officer, Vodafone India, “We’re acquiring customers at a very fast pace, but a large number of them are unaware of the range of services we offer. I mean, ‘phone backup’, which we’re advertising now, was launched two years ago, for instance!”(well this a news to me too!- Jas)
Behind Camera – Making of zoozoo
No, they aren’t animated characters. They are human beings who were made to wear body suits. “The design of the characters is such that one gets fooled into thinking it is animation,” shrugs Rao, which was indeed the very illusion that had to be created. “In a sense, it is ‘live’ animation!” he quips, referring to the fact that it was all shot live. The films shot at 20 frames per second has made the Zoozoo’s movements hurried and comical. See the images below to know how these ads were made from people.
Ogilvy experimented with several characters and finally took its love for the term ‘egghead’ one step too far, creating characters that don the colour white (with black dots for eyes and a mouth), have heads resembling eggs, and disproportionately thin bodies.
The idea is to tell the VAS stories in a world akin to, yet different, from humans. The creatures were then given a characterisation: they are to lead simple lives, speak a language of their own (something that sounds like gibberish), move in a certain way, and even emote like human beings, with big frowns or big grins to do the trick. The execution is almost like emoticons. “We even limited the number of emotions to be used, to keep things easy,” says Rajiv Rao, executive creative director, South Asia, Ogilvy India.
If one wishes to understand the size of this head, here’s a fact: a human head would typically reach up to the mouth level of this giant Zoozoo head. “We kept the hands and legs thin, which is why we cast women – and occasionally children – wearing the costumes,” says Prakash Varma, ad filmmaker, Nirvana Films, who has directed the commercials. The thin limbs, contrasted with big bellies and a bulbous head, all add to the illusion that these creatures are ‘smaller’ than humans. Sets were created to suit the size of the Zoozoos.
The films were shot by Nirvana in Cape Town, South Africa, with the help of a local production house there, called Platypus. Incidentally, the same combination of people also worked on the ‘Happy to Help’ series last year. When asked whether Cape Town is fast becoming a tourist spot for Vodafone and Nirvana, Varma laughs, saying, “Oh no! It’s just that we are very comfortable with the team there and know what sort of work to expect from them.”
